Oil On Canvas, Real Flavor of Old Masters

All Martin Drolling 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43636  
Alms to the Poor, Martin Drolling
  		 Alms to the Poor   Oil on panel 34 x 28 cm
31046  
Interieur de cuisine, Martin Drolling
  		 Interieur de cuisine   mk71 Bois H.0.31 L.0.37 Bailleul.Musee Benoit-Dt-Puydt
20717  
Interior of a Kitchen (mk05), Martin Drolling
  		 Interior of a Kitchen (mk05)   1815 Canvas 25 1/2 x 32''(65 x 81 cm)Acquired from the Salon of 1817 INV
31047  
Le Colporteur, Martin Drolling
  		 Le Colporteur   mk71 Toile H.0.65 L.0.81 Musee Benoit-De-Puydt a Bailleul
62364  
Portrait of the Artist's Son as a Drummer, Martin Drolling
  		 Portrait of the Artist's Son as a Drummer   120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter
43812  
Portrait of the Artist-s Son as a Drummer, Martin Drolling
  		 Portrait of the Artist-s Son as a Drummer   Oil on canvas, 120 x 76 cm
52608  
Portrait of the Artist-s Son as a Drummer, Martin Drolling
  		 Portrait of the Artist-s Son as a Drummer   Oil on canvas, 120 x 76 cm
80988  
Portrait of the Artists Son as a Drummer, Martin Drolling
  		 Portrait of the Artists Son as a Drummer   2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf
52622  
The Messenger or The Good New, Martin Drolling
  		 The Messenger or The Good New   1806 Oil on canvas
37394  
The woman and the Mouse, Martin Drolling
  		 The woman and the Mouse   mk125
Martin Drolling
1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.



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